The Case for Wagner

I fell in love with classical music at an early age. My parents in the early 1960s purchased a combined Magnovox record player and TV, a so-called console, and in addition to the records of movie sound tracks that they liked to play, such as My Fair Lady and The Music Man, they had a… Continue reading The Case for Wagner

Syberberg’s Parsifal

One thing that bothers me about opera is that the stage directors are constantly getting into the act, injecting their often weird interpretations into productions, often to the point of destroying the intent of the composer and librettist. Certainly interpretation of a score has a place up to a point, but one can’t redo a Beethoven… Continue reading Syberberg’s Parsifal

The Magic of Medtner

When I was in college in the late 1960s, early 70s, electronic and avant-garde music was all the rage, at least in my circles. Honestly everyone else listened to Rock, but I was fascinated by what is ineptly named “Classical Music.” In the 20th century, a century of the utmost human drama and scientific progress, there… Continue reading The Magic of Medtner

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Thematic Unity in Rachmaninoff’s Second Piano Concerto

Rachmaninoff’s second piano concerto (1901) was written after a course of psychotherapy for depression that the composer suffered following the disastrous premier of his first symphony.  Apparently this treatment worked, for the concerto is one of the most popular ever written for the instrument.  Its popularity stems not only from its lyrical themes but also… Continue reading Thematic Unity in Rachmaninoff’s Second Piano Concerto

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The Music of James Bond

One of the perks of blogging is that it gives one a license to write about topics that one really is not an expert on (a trait that my readers have doubtless discovered on their own).  And speaking of licenses to do things… there is the double zero license to kill, granted by the British… Continue reading The Music of James Bond

Reflections on Leonard Bernstein

In olden times, perhaps a hundred years ago, there were still uncharted corners of the Earth to explore, so that a great fantasy author like Edgar Rice Burroughs could tuck away a half-dozen unknown civilizations in the midst of “darkest Africa” for Tarzan to discover, or claim that large polar openings exist by which the… Continue reading Reflections on Leonard Bernstein

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